The English Guide to...

I don't think I was the only one in the auditorium not expecting a play about the last man to be hanged - (or is that hung?) in England to be as funny as this. Perhaps, you say, I should have looked it up beforehand- but who wants to risk accidentally reading something that skews their perspective or forces them to notice a tiny hole in the plot? In this case my strategy paid off - who wants to struggle through a couple of hours of a playwright's quiet contemplation on  a rainy Monday night ? We are introduced to Harry Wade (David Morrissey), England's second-best hangman and now pub landlord. He gives an interview to a London journalist visiting Oldham for the day (queue plenty of North/South jokes), adding to his local celebrity status and boasting in his talents as an executioner. When Harry's daughter goes missing he quickly suspects Peter Mooney ( Johnny Flynn),  a loud, charming yet rather creepy southerner who has recently turned up out of the blue.  Se...

An AC/DC riff jangles through my head as I leave the Cambridge junction following the penultimate performance of an 18 month UK tour of Grounded. It is an hour long journey in the hands of a reluctant UAV pilot from the US Air Force which leaves us with more than a few questions about the reality of modern warfare. Director Christopher Haydon brings us up close to The Pilot, played by Lucy Ellison, as she comes to terms with being a member of the "chair-force" - a phrase she repeats with plenty of sarcasm and distaste. As a fully-fledged female Top Gun, our hero is full of all the bravado you'd expect from a highly trained military asset. She regales us with stories of her time out in the wide open "blue" (sky) as a fighter pilot, clearly smart and skilled and without an ounce of humility. Following a break from the war, she finds herself pregnant and somewhat excited about the prospect despite the risk of having to let go of her plane and "the blu...

I read a review of John from the Daily Mail which called it a " National DISGRACE". Which mostly served to make me want to see it more. Hannes Langolf performing as John It's brought to us by the physical theatre group DV8 , whose name alone is probably enough to put off the average daily mail reader. It's a piece of verbatim theatre which means that the words are taken directly from real situations - in this case interviews with a number of people. The play begins by focussing on the title's John with the tragic, painful story of his upbringing. The script, taken directly from the words of real people is made into a visual display by the graceful yet powerful movement of the dancers (should that be actors? ).  One thing that works very well and feels incredibly fresh is how the dancers are not silent during their pieces. We are so used to dancers becoming mute the moment they enter the stage, that it is exciting (and pretty impressive) to hear them ...